Lyotard's initial formulation of post-modernity, admitted by him as grossly simplified, is an incredulity toward meta-narratives. It is an attempt to understand the narratives of knowledge in their conception and application. Written for a time in which mass-communication, cybernetics and information processing technologies are changing the modes and forms of knowledge, he questions the process of knowledge (learning) and praxis (via legislation), but also and most importantly, of legitimation itself. The grand meta-narratives of the past were "dialectical", synthesizing whilst remaining unitary and linear. Teleological narratives were all-encompassing and all-pervasive, concealing or demoting all other forms of knowledge. The scientific meta-narrative acts as a universaliser, a cumulative progression of knowledge toward some ultimate truth, therefore is essentially totalitarian or terrorizing. The sociopolitical functions in the same way; "the name of the hero is the people, the sign of legitimacy is the people's consensus, and their mode of creating norms is deliberation. The notion of progress is a necessary outgrowth of this [CR 149]". It differs from traditional narrative knowledge, in Lyotard's view, in that its scientific pretensions assume an accumulation of knowledge and a progress of mankind. It supplants old teleology with linear progress. In doing so, power is justified and the retaliation against old/outmoded teleology does violence to individual thought, and any criticism of, or divergence from, the meta-goal. The need for consensus, for universality, suppresses and oppresses, as Stalinist Russia exemplifies.
The scientific narrative de-legitimated itself by demanding legitimation, in the sense that, its subscription to an assumed theory of "right" (a priori truths waiting to be discovered by the rational mind of man), its operation under premises and foundations that go unquestioned, requires the same kind of meta-narrative it hopes to authenticate. It, as legitimator, rests on unfounded pre-legitimations and is thus incapable of legitimating itself.
Lyotard favours "a multiplicity of finite meta-arguments, [meaning] argumentation that concerns meta-prescriptives and is limited in space and time." [CR 153]. The games, their rules, consensus and players must be heteromorphic (I would use polymorphic) and local. Paralogy is innovation within diversity, a productive resistance to meta-narratives. "No "pure" alternative to the system" [CR 153] will be stated, because none will work.
Another thought:
Now. There are some problems, I think, with Lyotard's text. "Consensus has become an outmoded and suspect value. But justice as a value is neither outmoded nor suspect. We must thus arrive at an idea and practice of justice that is not linked with that of consensus." [CR 153]
I think he means this in the same way he said that losing the nostalgia for the meta-narrative does not mean we are reduced to barbarity [CR 152], but doesn't this dissolve into relativism and can relativism work? Also, regardless of post-modern self-consciousness, don't most people rely on some meta-narrative to legitimate their existence? Whether they support multiplicity and plurality, don't most people still believe that there are some common fundamental principles?
I feel that in practice, it is hardest to understand how Lyotard's paralogy would work, without power groups using the lack of meta-narratives to omit their bottom line (profit/power) at the expense of human rights. Or to appeal to certain beliefs (especially fears or hopes) without concern for them at all, simply because they are effective.
Harry Frankfurt, Princeton dude, explores bullshit. Here is a rundown from the Princeton site (link here):
"He argues that bullshitters misrepresent themselves to their audience not as liars do, that is, by deliberately making false claims about what is true. In fact, bullshit need not be untrue at all. Rather, bullshitters seek to convey a certain impression of themselves without being concerned about whether anything at all is true. They quietly change the rules governing their end of the conversation so that claims about truth and falsity are irrelevant. Frankfurt concludes that although bullshit can take many innocent forms, excessive indulgence in it can eventually undermine the practitioner's capacity to tell the truth in a way that lying does not. Liars at least acknowledge that it matters what is true. By virtue of this, Frankfurt writes, bullshit is a greater enemy of the truth than lies are."
I am actually not sure what I think of Lyotard's theory. I understand it in principle and I can see similarities with Arendt's local polis-style logos (speech-action), but I wonder whether this only works on a local scale. Also, what of his opening of data banks? It seems as though he is an (admittedly pre-) internet utopian. As though freedom of information would lead to better decisions, or that it would solve the supposed problems that lack of information encompasses. What are those problems? Lack of power? "It could also aid groups discussing metaprescriptives by supplying them with the information they usually lack for making knowledgeable decisions... Language games would then be games of perfect information at any given moment." [CR 154) Hmm, sounds iffy.
The same thing goes for post-modernism in general; I kept thinking back to Lukác's fragmentation and reification; the continual splitting of the world (man, time, labour and so on) into easily contained and calculable segments. It seems as though this was justified by a grand narrative, progress, and now it is the grand narrative: multiplicity, diversity, individuality. Frederic Jameson accuses postmodernism as being the logic of late capitalism and I kind of agree with that. There is also a sense in which, unless (and often even if) you are continuously learning, critiquing, creating, playing and innovating, you will be under the umbrella of other controls (the State, ideologies, stereotypes etc), and this is not how most people live their lives. That is not a statement of supposed-self-superiority, more an acknowledgement that it is difficult to live this model and can be conducive to convenient generalisations, apathetic relativism, and fragmented personal narratives that allow both your capitalist urges and your dedication to the green movement, your subscription to freedom-based aphorisms, "fair go", "tolerance", "equality" and your patriotic approval of closed borders and secret fear of boat people.
Post-modern thinking seems just as easily abused as other meta-narratives, but perhaps more prone to bullshit.
Another Thought:
Re: Falling Water - I think that Frank Loyd Wright's house is alright as an example, certainly conceptually, but perhaps more pertinent examples would be Le Corbusier's Paris Plan, the Crystal Palace in London, Tatlin's tower, the Bauhaus building in Weimar (plus other Bauhaus architecture) and especially Brasilia. The obsession with glass was ideological; they were the attempted expressions of a utopian vision of truth and transparency. They were physical manifestations of ideas of a better world; in the same way that Kant believed we could, by seeing our progress in history, further it along its path, modernist architecture attempted to change the way that we existed in buildings, to change the world for the better. They were building a self-determined "new society", attempting to change ideas of beauty to encompass rationality, exemplified in the Bauhaus slogan "form follows function".
Of course, the thing is that the Bauhaus architecture, especially coordinated by Hannes Meyer, was attempting to work with both psychological, social and environmental factors, but it did have a social vision through so-called "biological architecture". Such ideas are usually corrupted and in hindsight we call them naive, but a skeptical view does not make their intent any less earnest or admirable. There were many modernist ideas of social architecture that believed the right type of architecture could diminish violence, could make men (always) rational, could shape a better humanity. There were "master" elements in architects, especially Le Corbusier, Wright etc, intellectual and theoretical elitism, which I think is often part of the meta-narratives of the absolute.
Brasilia is my favourite failed modernist project and one of the only completed full examples of the modernist vision. Its sociological intent was to create a classless society etc etc. Needless to day (not just because I have already mentioned it) it failed.






